What is "World Heritage"?

The High Coast was inscribed on the UNESCO's World Heritage list in the year 2000.

World Heritage are the cultural and natural sites that are the heritage of humanity. The safeguarding of these sites is the shared responsibility of all. The World Heritage Convention for the protection of the World's Natural and Cultural Heritage was adopted by UNESCO in 1972 and has been ratified by 183 states. There are 830 World Heritage worldwide.

"A World Heritage site is a place of natural or cultural interest which is so valuable that it is important for the whole of humanity. It is a place, site, environment, or object which provides unique testimony to the history of the earth and of mankind. Once inscribed on the prestigious World Heritage List, it is guaranteed protection and care for all time. Sweden has fifteen sites on the list."

This definition is from Riksantikvarieämbetet - The National Heritage Board, the agency of the Swedish government that is responsible for heritage and historic environment issues. (More info)

Heritage is our legacy from the past, what we live with today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa’s Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world’s heritage.

What makes the concept of World Heritage exceptional is its universal application. World Heritage sites belong to all the peoples of the world, irrespective of the territory on which they are located.

The overarching benefit of ratifying the World Heritage Convention is that of belonging to an international community of appreciation and concern for universally significant properties that embody a world of outstanding examples of cultural diversity and natural wealth.

The States Parties to the Convention, by joining hands to protect and cherish the world's natural and cultural heritage, express a shared commitment to preserving our legacy for future generations.

Heritage and development

It is widely recognised that environmental sustainability corresponds with social and economic prosperity. Environmental degradation is by the World Health Organization directly linked to negative health and development impacts. This is especially the case in poorer countries, where the burden of ecosystem impairment much stronger affects communities that depend on local resources, without the financial abilities to offset the degradation of ecosystem services.
 
The Convention encourages the States Parties to involve local communities in planning and management of properties. Successful protection of heritage depends on the ability to provide opportunities and benefits to the communities within and surrounding the properties.
  
The intention of World Heritage sites is to feature natural and cultural properties of outstanding universal value as well as best practice management plans that may function as models for other protected areas.

The Criteria for Selection

To be included on the World Heritage List, sites must be of outstanding universal value and meet at least one out of ten selection criteria explained in the Operational Guidelines for the Implementation of the World Heritage Convention which, besides the text of the Convention, is the main working tool on World Heritage. The criteria are regularly revised by the Committee to reflect the evolution of the World Heritage concept itself.

(More info about UNESCO's World Heritage mission and the Convention concerning the Protection of the World Cultural and Natural Heritage, adopted by UNESCO in 1972 athttp://whc.unesco.org/en/about/)

The marine realm of the High Coast

The Marine Realm

The biological character of the High Coast's marine environment is a consequence of several major controlling influences such as: brackish waters of very low salinity; the most sharply contoured submarine topography in the Baltic, extending to depths in excess of 200m close inshore; little tidal influence, with shifting water levels determined mainly by changing weather conditions of air pressure and wind; and seasonal ice cover.

Natural environments have undergone dramatic changes since glacial times, passing through marine, brackish and freshwater conditions. The resultant mosaic of shallow, sheltered embayments and deep, open waters provides a range of habitats for a mix of marine, brackish and freshwater species, low in species diversity but high in population numbers for some macrofauna species. Some species are relics of earlier periods, and others are at the extremes of their latitudinal and environmental limits. For the most part, however, the marine biota are described as being typical and representative of that found throughout the Baltic, rather than special or unique.

The special feature of the marine realm, imparting the greatest scientific significance, is that it represents the submarine extension of the topographical continuum of landscapes undergoing isostatic uplift.

Continual elevation of the land results in inlets becoming progressively cut off from the sea, transforming them into estuaries and ultimately lakes (some of which retain their name as bays). Meanwhile, shorelines are constantly reshaped, new islands are born offshore, and others become peninsulas as they unite with the mainland. The terrestrial influence progressively extends seawards into the Bothnian Sea. This process has major effects for the associated plants and animals that must constantly adapt to the changing environments. Thus, the nearshore marine area constitutes an integral part of the ongoing geological evolution of the High Coast and, as such, it is an important natural component of the entire property.

Although the 56% of the size of the High Coast site is marine, only 2% of it is protected: only 15 km2 of the 800 km2 marine component of the area is under protective status.
(Font: UNESCO - World Heritage Nomination - The High Coast (Sweden) - Addendum to 1999 IUCN Technical Evaluation)

The High Coast's terrestrial fauna is typical for the region, but the range of marine habitats provides for a mix of marine, brackish and freshwater species. These are low in diversity but high in populations for some of the macrofauna, some of which are relicts of earlier periods, others at the extremes of their latitudinal and environmental distribution (Dingwall, 2000). All are tolerant of the varying salinity of the brackish water, which off the High Coast ranges between 3 and 6 ‰. There is a major sill across the bottom of the Kvarken Straits at about 25m. Species numbers decline abruptly at the Gulf’s entrance from the Baltic and continue to decrease northwards - from 41 fish species in the Baltic to 20 species in the Gulf and only 6 in the Bay of Bothnia. The consequence is that the northern part of the site is near the northern limit of several species. Two northeastern Atlantic seals are present in the waters off the High Coast, the ringed seal Phoca hispida and the grey seal Halichoerus grypus. The latter occurs in greater numbers, although there are no suitable haul-out areas for the large gatherings of grey seals which are found in the Northern Quark Archipelago and south of the High Coast.

Saltwater and fresh water fish species regularly occur and reproduce along the High Coast within shallow and deep-water areas of the Archipelago. Warm-water species found in shallow waters include perch Perca fluviatilis and roach Rutilus rutilus. Cold-water species of fresh and salt-water origin are the white fish Baltic herring Clupea harengus, salmon Salmo salar, four-horned sculpin and eel pout Zoarces viviparus. Immigrant species include sprat Sprattus sprattus, cod Gadus morhua (VU) and European flounder Platichthys flesus.  Fish are only found in deeper waters in the summer. Shoreline fauna species include the acorn barnacle Balanus improvisus, the common mussel Mytilus edulis, the coralline Electra crustukenta and thefreshwater snail Theodoxus fluviatilis. Shallow water crustaceans include the amphiopods Gammarus zaddachi, G. oceanicus at its northern limit, G. salinus, Pallaseaquadrispinosa, a relict species primarily found in fresh water and Corophium volutator. Several snail species are foundin the mid-archipelago zone: Paludestrina jenkinsi, Theodoxus fluviatilis, Lymnaea peregra and Bithynia tentaculata. The benthic fauna of the deeper waters is dominated by a small number of species. These include the isopod Saduria entomon, the amphipod Monoporeia affinis, the Baltic mussel Macoma bathica, a few semi-pelagic opossum shrimp species (Mysidae) and the common sea snail Liparis liparis. (Font: UNEP-WCMC)

Explore the High Coast on your boat

The Höga Kusten is World Heritage also for sailing

Sailor's fun starts here >

The High Coast (Höga Kusten) / Kvarken Archipelago world heritage site

2000: The whole High Coast area was inscribed on the World Heritage List and granted World Heritage status. The area has the largest land uplift of its kind in the world, which was a key reason for the designation of the High Coast as a World Heritage Site.

The High Coast (Sweden) is located on the west shore of the Gulf of Bothnia, a northern extension of the Baltic Sea.
The area covers 142,500 ha including a marine component of 80,000 ha, which includes a number of offshore islands.
The irregular topography of the region - a series of lakes, inlets and flat hills rising to 350 m - has been largely shaped by the combined processes of glaciation, glacial retreat and the emergence of new land from the sea. Since the last retreat of the ice from the High Coast 9,600 years ago, the uplift has been in the order of 285 m which is the highest known 'rebound'. The High Coast site affords outstanding opportunities for the understanding of the important processes that formed the glaciated and land uplift areas of the Earth's surface. (Font: UNESCO - More info at http://whc.unesco.org/en/list/898) 
 

 
In July 2006, the Kvarken Archipelago was inscribed on the World Heritage List, as an extension to the Sweden's High Coast (Höga Kusten). It is the first UNESCO's Natural Heritage Site in Finland. Together, these two areas form a complementary geological complex featuring land uplift unlike anything found elsewhere in the world.

The Kvarken Archipelago (Finland) numbers 5,600 islands and islets and covers a total of 194,400 ha (15% land and 85% sea). It features unusual ridged washboard moraines, "De Geer moraines", formed by the melting of the continental ice sheet, 10,000 to 24,000 years ago. The Archipelago is continuously rising from the sea in a process of rapid glacio-isostatic uplift, whereby the land, previously weighed down under the weight of a glacier, lifts at rates that are among the highest in the world. As a consequence of the advancing shoreline, islands appear and unite, peninsulas expand, lakes evolve from bays and develop into marshes and peat fens. This property is essentially a "type area" for research on isostasy; the phenomenon having been first recognized and studied here. We congratulate Finland with the inscription of Kvarken on the World Heritage List! (from: Nordic World Heritage Foundation - Newsletter August 2006)
Photo on the left: Tuukka Pahtamaa ©

Land uplift in the Kvarken is very intense and the archipelago is constantly changing shape. New islands emerge from the sea, bays are transformed into lakes and shipping lanes become shallower. Since the land surface increases by a hundred hectares a year, these changes can be noticed during one generation. See more about "The Kvarken Archipelago - a World Heritage" at the Finnish Ministry of the Environment website. And here is the link to The Kvarken region picture gallery. But don't miss to visit The Kvarken Nature Guide!
 
Both High Coast and Kvarken Archipelago are inscribed on the World Heritage List under Natural Criterion viii: "to be outstanding examples representing major stages of earth's history, including the record of life, significant on-going geological processes in the development of landforms, or significant geomorphic or physiographic features".

They are also legally gazetted as "protected landscape/seascape" of IUCN management categories.

The distance between the areas is 150 kilometres.

See also: The Kvarken Archipelago and The High Coast World Heritage Site at www.kvarken.fi.

Explore the High Coast on your boat

The Höga Kusten is World Heritage also for sailing

Sailor's fun starts here >

2011 winter storm at Docksta Havet

Winter season, albeit pausing of course our activity of hosting boats and sailors, carries sometimes some unwelcomed and unexpected "gifts".

Some years are better than others, but in spring - prior the opening of the season - there is always a lot of mantainance job to recover the buildings and the piers from the damages that occurred in winter. Winter 2011 has being particularly tough for us and we wanted to report it with this publication.

Now, after a few years, that devastation is a far memory. Constant mantainance and the aim to improve every year the area have healed the wounds and returned a marina that is, in better, totally transfigured.

Want to know our story and how we came to this? Read here about us >

High Coast Sailors & Innex at the Base Camp!

Here we collected during the Summer the best moments with Sailors and our "Special Guest" Innex!

Please click the image below to flip the pages :)

Sommar 2013 mitt i Höga Kusten: se bilder från "Innex vid Havet"

"Innex vid Havet": se bilder här >

Boats and Sailors at Docksta Havet in Summer 2011

Click on the image for the expanded photo gallery:

The 2010 edition of the High Coast calendar is online!

[make time to explore] the High Coast of Sweden!

Here is online the preview of the 2010 edition of the new exclusive and limited edition High Coast's calendars :)

Few words about Nik Ferrando

Few words about Nik

by Anna Gullì

"I have been asked to highlight the main features of Nik Ferrando.
This is a very complex task and frankly I do not know from what begin, as Nik is so……polyhedric!
Many images pass across my mind thinking about him and the capability to elaborate mental contributions is faster than the hand. I do not know will I be able to catch all thoughts. It could be there will be only confused images. Let’s see.
The important is to begin.
I am one of the few people who are pleased to believe to really know him, nevertheless as the time goes on doubts arise and seize me.
I have been associated with him for about 30 years and I have always thought to know everything about him, to know what he wants, his goals, his taste, his desires…..instead it is not like this, he turns out to astonish me; with him you have always to start from the very beginning as his skill to re-create himself is faster than light and it is difficult to stand behind him.
His solemn gait is pressing. It requires a consistent attention and commitment to understand which is “his way”; all ways are “his way” and for this reason it is almost impossible to focus the character. He is “ everybody and nobody”.
His full colour photos would suggest to think about a solar person who moves and feeds with colour, with light, a person who is always in movement, optimistic, strong in will and positive; all this sometimes is true, but it happens to be also exactly the contrary.
Many people would swear he is a gloomy man, often sullen, loath and sometimes reluctant to new things and over all incomprehensive.
I personally believe this is integral part of his glamour.

His places are the port, the centre of the town: Genua, his town, his Genua. His natural environment is that particular nucleus named “carruggi” a pulsing and multi ethnical labyrinth of narrow streets which contour lines are ancient and very high palaces which, if observed from beneath, look as if they would close like a leave, as if they want to protect the same narrow road.
Nevertheless the light passes through from above, often shaded by hanging between palaces clothes, another peculiar feature of the “carruggio”, thus giving light to architecture pearls of a history that seeps from the chinks between stones and bricks.
His world is this, protected, maybe a bit closed, nevertheless bright and tempting, a world with which it is difficult to take contact.
During his working week, Nik lives in one of this renaissance high palaces, in a kind of hermitage, of course at the upper floor.
In 30 years I have been “admitted” inside the walls of his house only few times.
Nobody is allowed to enter the privacy of his life.
His apartment is big, typical of the style of Genua, with enormous double windows which frame invaluable views, an apartment with paintings in unbelievable places such as the bathroom, the storeroom, in one of the bedrooms, but all this is typical of the houses in the narrow streets of Genua.
No curtains on the windows, so the light enters directly; the view is marvellous: the port, one of his big loves!
I have been astonished by his furniture, as everything is in only two colours: yellow and beige.
He has leather sofas everywhere, all, of course, yellow, books and books, piles of books, photos, art, interior decoration photos, also yellow books (thanks to the colour?).
Adventure novels, manuals to built things, gardening books etc. I think that digging you could find everything!
There are also a lot of ancient tables full of colour tests, designs, photos, colour pencils and various things. At the entrance of one room there is a big statue, a Madonna, one of his creations.
On the whole a very pleasant home, very bright and live, where space and light are masters; both abstract, ethereal, but determined, almost definitive.
Nik is very different from how you could imagine looking at his exterior figure you perceive meeting him.
Think that it does not exist any photo of him, no interview, he very seldom speaks with his clients.
I believe his fortune is that his images speak for him and this is the contribution to external communication he desires. It is a pity, I believe.
He would have so much to communicate, also with words!

He has another country house where he lives in weekends. The peculiarity of this house, which, by the way, I never saw, but I know it form his stories, is that in furniture it is exactly the same as the house in Genua. Everything is double: same leather yellow sofas, same kitchen furniture, same working tools, even copies of his favourites books!
A mania, you would say – and I agree – but he has a very deep reason for this: his concept of “home” which he believes should belong to only one house.
A kind of space transposition, which accompanies him.
He says: “ I should always feel at home and for this reason I need my things, it does not matter if these are “other things”, as a matter of fact they are always the same things.
Nik is like this.

Recently he feels attraction to things destined to disappear, beginning from mortal things, as if bringing them to sight he could recognize what has been taken away from them, a kind of ultimate possibility, a kind of immortality.
For example his last photographic courses put their stem towards those areas of Genua port destined to be destroyed.
I do not know how he manages, but he always catches the instant before, the moment after which there is no return; he makes a photo and a moment after the whole district does not exist any longer.
Destroyed, dismantled, disappeared, lifeless.
He has photographed places, which remained within everybody’s reach for years, in which only he has managed to catch that tiny time before destruction, and I believe this can be seen from his photos. Some photos seem to breath, other to smell. It is as if he has a sixth sense, which orients him towards that precise place in that precise moment.
Sometimes I am scared, I must admit, when I discover such things……and upon my questions …..he almost excuses saying “no, this is a chance!”
And yet when we are speaking about him “the chance” is almost a rule!
Nik is like this.
Much more could be said, anecdotes could be told, maybe I will write them with time, I would like not to influence now my readers.
My wish is that everybody could figure out features and traits of this short portrait through his images."

A place between land and sea where you meet people and ideas >

Setting new secure moorings for sailors in Docksta

2006/06/07: The moorings at the Y-boom on the floating wharfs are back available and full working for Sailors cruising to Docksta!

Today the extraordinary mantainance jobs on the wharf of the guest harbour are concluded. The floating wharf has been fixed and straightened: the anchoring systems has been checked and fixed and the Y-boom arms are back in function.